Entering the sea of balloons from Martin Creed’s Work No. 1190, Half the air in a given space (2011) was not at all like I expected. As the Social Media Coordinator at the Museum of Contemporary Art Chicago I had already seen a number of pictures of smiling, laughing people posted on Twitter, so I hitched a ride with another staff member to see the artwork that everyone was enjoying firsthand.
It being a Monday morning it was peaceful at the Hyde Park Art Center, and I was ushered into the balloon gallery alone. Immediately I had some reservations, along with a bemused smile. Balloons quickly and completely envelop you—that’s part of the fun, but it’s also disorientating. Your attention is immediately drawn to your physical being. Even as your senses are hindered by balloons, they seem to be at their height as you attempt to negotiate a path through the balloons. I imagine the feeling is something like a sensory-deprivation chamber; your faculties are paradoxically heightened as they are impeded. Your sight is compromised by balloons, reduced to only a couple of feet immediately in front of you, peripheral vision is cut off entirely. Your nose is filled with the smell of latex (allergic visitors please beware). That day the room was silent, interrupted only by loud squeaks of balloons on balloons as I attempted to move, which once again drew my attention to my bodily movement through the space.
This is a dimension of the serious side of Martin Creed’s very playful and fun artwork—its ability to bring your attention to the space you inhabit every day, but perhaps do not always notice: your body. You could write this work off as too crowd-pleasing, not “serious” enough, but that would miss what the artist is trying to show you about yourself.
Hyde Park Art Center installation of Half the air in a given space:
Garfield Park Conservatory installation of Half the air in a given space:
As part of Martin Creed’s yearlong residency at the MCA, the museum has partnered with Chicago venues to present Creed’s Half the air in a given space—an installation that fills half of a room with balloons. With this work, Creed gives tangible form to something that’s usually invisible: the air around you. This artwork is meant to be enjoyed as you walk through it and not just viewed from outside.
The first presentation is at Hyde Park Art Center and can be experienced Tuesday through Sunday, 12 pm to 5 pm. Additional venues for this project are planned, check back for more information as it becomes available.