Caroline Jones: Trajectories of the Studio after the Factory
In the 1960, tape recorders, film cameras, and reproduction machines of all kinds entered the studio. Noted art historian Caroline Jones traces this development and examines its impact on artists and art works. A professor of history, theory and criticism at MIT, Caroline Jones is the author of the groundbreaking book Machine in the Studio: Constructing the Postwar American Artist, and co-editor of Sensorium: Embodied Experience, Technology, and Contemporary Art. Recorded Tuesday, February 16, 2010, 6 pm.